All work
Children’s book / Typography

The Girl Who Spoke to the Moon

A scary children’s book about sibling relationships, made in collaboration with the artist and curator Lua: Ayla wishes to become the sister she envies, and the darkness inside her grows into a shadow creature.

Collaborators
Seewing Chun and Lua Joy Costa
My role
Typography, layout, graphic design
Lua’s role
Mixed-media illustration
Status
In progress

The story

The book follows Ayla through one night: wishing to become the sister she has always envied, she lets the darkness inside her grow until it bursts out as a shadow creature.

First spread: Ayla crouches by a beaten-up red lantern on an empty night street; on the right, a hand holds a paper fortune with Chinese text as smoke curls overhead, beside the riddle “I have no voice, but I can copy your every move”

Whether in an Asian household or an American one, the feelings that hold a family together often go beyond words. We wanted a story that respects children’s emotional intelligence: one that goes into the darker corners of imagination and shows how empathy and creativity can light the way through them.

Type that moves

I’m drawn to children’s publishing as the place where visual communication and storytelling meet. Here the letters act out the story: they GROW BIGGER and BIGGER as Ayla’s jealousy takes over, SHAKE with the room and SCRAMBLE up the stairs. I want type that carries the same spirit of adventure children bring to reading: welcoming, unexpected and alive.

Second spread: “Answering to Ayla’s jealousy, the darkness inside her grows bigger and bigger”, the words swelling in size, as a huge tangle of dark tendrils bursts out across the street at night

Two practices

Lua works in mixed media, building worlds from paint, collage and drawing that feel both tender and eerie. They set the atmosphere: tactile, moody and full of small details that reward close looking. The collaboration lives on that difference, digital precision meeting tactile expression, structured design meeting emotional spontaneity.

Third spread: a spidery shadow creature climbs a collaged staircase as “bump-a-bump-a-bump” arcs across the wall, then hovers over the sister’s bed, pulling her in “just like a black hole”

Next

We made this three-spread sequence to apply to Publisher Speed Dating, to meet publishers and agents and learn how a story like ours could become a printed book.

We want to make books that invite children, especially girls, to see imagination as strength, fear as a doorway, and sisterhood as a form of magic.

Seewing Chun and Lua

Next project →Round Sans SerifType design / Typography